Not only are they currently open to proposals but they just started a Supporting Diverse Voices Development Grant hoping to support historically excluded scholars from around the world with the grant. This is how the grant will work: “In close partnership with four book coaches, the grant will offer direct support and coaching to scholarly authors preparing to draft a book proposal. The grant will cover all associated costs of this process, with grantees able to select which coach they wish to partner with.”

The first round of funding is focusing on Women, transgender, and gender expansive authors in Science and Mathematics. It opened for submissions from February 15th and will run until April 1st.

You can find the application here. You need to scroll down and look for the Apply button.

They are also open to general proposals on a wide variety of topics. You can see their catalog here. You can read their full guidelines here. Please follow all of the guidelines very carefully.

Emily Harstone is the author of many popular books, including The Authors Publish Guide to Manuscript Submissions, Submit, Publish, Repeat, and The 2020 Guide to Manuscript Publishers.

She regularly teaches three acclaimed courses on writing and publishing at The Writer’s Workshop at Authors Publish. You can follow her on Facebook here.

So To Speak publishes one print edition and one online edition each year. They hold two open reading periods each year, and right now they’re open to submissions through April 10. Submitting authors can expect a response within five months.

Poets may submit up to five poems, ten pages or fewer total. Authors of fiction and nonfiction may submit pieces of any length, keeping in mind that the editors prefer pieces of 4,000 words or fewer.

The editors of So To Speak have written extensive guidelines for each genre to help submitting writers understand the mission of the magazine. You can read these guidelines by following the link at the end of this article.

So To Speak also accepts submissions for their blog year-round. They publish a wide variety of work on their blog, including poetry, fiction, nonfiction, hybrid work, interviews, craft essays, and reviews. They’re also eagerly seeking multimedia submissions such as videos, spoken word, and podcasts.

So To Speak accepts submissions online through Submittable. They don’t accept submissions via email or by post. They accept simultaneous submissions but ask that authors withdraw work published elsewhere. They do not accept previously published work.

So To Speak only accepts submissions that follow the guidelines they’ve posted on their website, and they only publish work that fits with the mission of their magazine. Please read their guidelines in full before submitting.

If you’d like to learn more or submit to So To Speak, please visit their website here.

Bio: Ella Peary is the pen name for an author, editor, creative writing mentor, and submission consultant. Over the past five years, she’s written hundreds of articles for Authors Publish, and she’s also served as a copywriter and copy editor for a wide range of organizations and individuals. She is the author of The Quick Start Guide to Flash Fiction. She occasionally teaches a course on flash fiction. You can contact her at ellapeary@gmail.com.

I was thrilled when I got the call. A local writer’s group, after receiving a draft of a short story I’d written, extended an invitation for me to join their circle. I showed up at the appropriate time and place and was warmly welcomed.

As time went on, I came to value this group as an integral part of my growth as a budding new writer. Their critiques of my submissions were kind and often more gracious than they probably deserved. In turn, I did my best to critique the work of the others as honestly and fairly as I could.

There was one writer in our group who wrote exclusively in the genre of flash fiction. Jenny was brilliant. Her ability to write a complete story in less than five-hundred words astounded us all. Often hilariously funny, at times shockingly insightful, and always intelligently poignant. I think I can safely say that we were all impressed, and a bit threatened by her writing prowess. 

Our group meets once a month. The deadline for submissions is one week before our upcoming meeting. I received via email, our usual method of exchanging our submissions, another outstanding flash fiction piece from Jenny. It was short. 203 words, to be exact. As always, I was very impressed. Although there were a few lines that somehow seemed familiar. Especially her masterful final paragraph: “People take different roads seeking fulfillment and happiness. Just because they’re not on your road doesn’t mean they’ve gotten lost.”

Out of curiosity, I cut and pasted the sentence into my browser and hit ‘enter’. For a moment I was in denial. Denial eventually subsided into disappointment, which soon became sadness and ultimately solidified into that feeling of being completely duped. I entered another sentence, then another. Of the 203 words in Jenny’s flash fiction story, 106 were not her words at all. The profound last sentence belongs to the Dali Lama. The other authors were lesser known, but those lines were also not written by Jenny.

I opened my writer’s group file and retrieved previous submissions from Jenny. I cut and pasted the most breathtaking sentences of Jenny’s submissions and subjected them to the Google gods. Almost every story had been plagiarized to one degree or another.

The following Wednesday I arrived at our writer’s group and offered little in the way of feedback on the piece Jenny had submitted. I listened as the six other members verbalized their praise and admiration for her piece. One of our group shared of a conversation she’d had with a friend earlier that day, which was difficult. She said, “Jenny, I wish I could think the way you write. That last sentence about being on different roads not meaning I’ve gotten lost. Those were the exact words I needed for my friend. You are a genius.” Jenny bowed her head in a guise of humility and simply responded, “Thank you.” 

Perhaps I should have confronted her there and then, but I have always believed that if you are going to confront someone about an issue that will bring much shame upon them, it should never be in front of a group. I’m also terrified of confrontation. So, perhaps that’s the real reason I chose what I believed was the higher road. When I returned home that evening, I spent many hours formulating an email to Jenny. I allowed it to sit and percolate for a few days before hitting ‘send’. It addressed what I had discovered and specifically the fact that plagiarism is the blasphemy of the writing world. I offered to meet with her to discuss the issue and offered my support should she come clean to the rest of our writer’s group as well as the many magazines she had submitted her work to.

The reply I got back was scathing. She was infuriated that I would accuse her of such a thing. “Everything I have ever written is my own work. I would never do what you have accused me of doing.” she wrote. She turned the table and threatened me, then pleaded with me, then her anger raged again. All the eloquence of her usual writing was absent. As was she the next time our group met. I have not seen her again. She simply disappeared from our local writing community.

The writing world is small. It’s okay to make mistakes. We often learn best that way. But there are some things which are sacred. As writers all we have is our word, or words, as the case may be. When the reader cannot believe the things we write, we have nothing.

I feel for the “Jenny’s” in the writing community; those who have some degree of talent but have such poor self-worth that they are willing to jeopardize everything for the praise of a few. Plagiarism has never been easier. Nor has it ever been easier to detect. Beware. Be honest. Be yourself. 

Bio: Brian Douglas is a writer from Vancouver, British Columbia, Canada. He holds a Master’s degree with a double major in clinical counselling and pastoral leadership. He is currently working on his third novel, ‘Torrent’, a murder-mystery which is a break from his usual genre of psychological fiction. Brian is a member of the Board of Directors for the Canadian Authors Association.

Brian Douglas Website
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