Feral House also has a sister press called Process Media, which you can learn more about here.

Feral House has good national and international distribution. Their covers generally suit their subject. You can get a better feel for their covers and their general catalog here.

They prefer to work directly with authors. Their manuscript submission requirements are as follows.

“Please send a query email that includes:

1. Overview.  A full description of the book and why it’s compelling and interesting to all readers. Please keep to a single page.
2. Table of Contents.
3. Total word count.
4. Chapter Outline.  A one or two sentence summary of each chapter.
5. Sample Chapter.  We need to see a sample of your writing and how the book is organized.
6. About Me.  A short biography about you and why you’re the right person to write the book.
7. Images. Let us know if your proposed book intends to have images and how many. Send an example of one or two images.”

To learn more, or to submit, go here and scroll down.

Emily Harstone is the author of many popular books, including The Authors Publish Guide to Manuscript Submissions, Submit, Publish, Repeat, and The 2021 Guide to Manuscript Publishers.

Right now through December 31, they’re accepting submissions for their Summer Flash Fiction Competition (it’s summer in Australia). The theme of the contest is “Delight.” The editors at Aniko Press encourage authors to interpret the theme broadly: “Be daring, be imaginative, have fun!”

Authors of flashes may submit up to two pieces to the contest, 100 words or fewer each. Submitting authors can expect a response by January 10, 2022.

The first prize and second prize winners will receive publication on Aniko Press’s website and social media, as well as a copy of Aniko Magazine issue 2. The first prize winner will also receive a copy of Killernova by Omar Musa.

They hold themed flash fiction contests regularly. So if you miss this deadline, check back for a future opportunity.

Aniko Press accepts submissions for the flash fiction competition via email (the subject line should read “Summer Flash Fiction Comp.”), not through an online submission manager or by post. They accept simultaneous submissions but ask that authors withdraw work published elsewhere. They do not accept previously published work.

Aniko Press only accepts submissions that follow the guidelines they’ve posted online. Please read these guidelines in full before submitting.

Aniko Press also publishes a thoughtfully designed print and digital magazine. Although they are currently closed to submissions, you can check their website to find out when they’re open again. They publish fiction, creative nonfiction, and poetry, and each themed issue contains ten to fifteen pieces. Authors contributing to the magazine (but not to the flash fiction contest) receive $125 (AUD).

If you’d like to learn more or submit to the Aniko Press Summer Flash Fiction Competition, please visit their website here.

Bio: Ella Peary is the pen name for an author, editor, creative writing mentor, and submission consultant. Over the past five years, she’s written hundreds of articles for Authors Publish, and she’s also served as a copywriter and copy editor for a wide range of organizations and individuals. She is the author of The Quick Start Guide to Flash Fiction. She occasionally teaches a course on flash fiction. You can contact her at ellapeary@gmail.com.

Joining a writers’ group might be intimidating and finding the right one can take a little effort, but the benefits of doing so can be worth it. As founder/facilitator of The Bard’s Corner Writers’ Group in Elizabethtown, Kentucky, I have witnessed members, including myself, reap these benefits firsthand.

Here are five benefits of joining a writers’ group:

Connection. For some writers the need to get away from the routine of writing alone provides the impetus for joining. Members of my group have told me they sought a writers’ group because they recognized it was time to interact with other authors. Just being in the company of like-minded individuals is an important affirmation you are not alone in your journey.

Support.  For some writers, the lack of a support system is their reason for joining a group. It’s not that their loved ones didn’t care; they just couldn’t, or didn’t know how to, provide that important role. That support can include anything from reading their partner’s writing to recognizing their partner’s writing-related achievements. A group can fill that void, both during and beyond meetings.

Feedback. One of the most obvious potential benefits of joining a writers’ group is to get feedback on your work. Having your writing evaluated can be petrifying, but it can also strengthen your craft.  The feedback you receive can help you polish your work, and more.Resources. Bookstores, libraries and the internet offer a plethora of writing-related resources, and a writer can spend endless hours slogging through it all. On the other hand, group members often can recommend helpful resources without the need for extensive research. Members can share information about illustrators, editors, markets, websites and software.

Inspiration. By far one of the most cited benefits of being a part of The Bard’s Corner is inspiration. Just listening to others share their writing and ideas can be motivational, nudging a writer’s creativity. Creativity breeds creativity.

So you’re ready to join a group? Great, but you can save yourself time and frustration by asking yourself a few questions first. Much like the old journalistic approach to writing a news story, you can apply the five Ws and one H when considering membership in a group.

Who? Who are the members? Is the group genre-specific, like poets or romance authors? Are they all beginners? Professionals? Make sure you are comfortable with the membership, however that translates for you. Some group members encompass all levels and genres, but this is not true of all groups.

What? What meeting format does your prospective group use? Is attendance and participation required? Are there membership dues, or is the group free? Make sure your group is what you expect. There will be writers who show up, want to disregard the group format, and expect several accommodations. Those incidents wasted everyone’s time.

When? When does the group meet, and will you be able to attend?  Is there an attendance policy?  Our writers’ group, for instance, has no attendance policy and meets twice a month for two hours, but sometimes prospective members have too many other commitments. They invariably stop coming after a few meetings.

Where? Where does the group meet?  Is it a comfortable, convenient place for you? Do you prefer online meetings? Many writers’ groups met at local libraries or cafes before the pandemic, but are meeting online for the time being. You must determine for yourself if and how the meeting location factors into your decision.

Why? Why are you joining a writers’ group now?  Do you need feedback?  Inspiration?  Support?  If your prospective group seems to be able to provide what you’re looking for, it could boost your productivity. If you’re not sure why you’re looking for a group, you might be procrastinating. Examine your motives realistically to determine if you’ll gain anything from joining a writers’ group.

How? How will joining a writers’ group help you reach your goals? This ties in greatly to why you are joining the group, but you also should be able to justify how your membership will help you. How will the time you will spend at meetings fit into your overall writing schedule and goals? How will the advantages outweigh the effort?

Though a writing group might offer different things to different people, ultimately it can provide great benefits to its members. By finding the right one, you can enhance your writing experience and open doors to productivity.

Bio: A former journalist, Robert Villanueva is the founder of The Bard’s Corner Writers’ Group and a Kentucky author whose publications include fresh.ink, New Reader Magazine, The New Southern Fugitives, The Maine Review and The Summerset Review. The Heartland Review Press published his collection, “A Fable of Freedom and Other Stories.”