They are respected children’s picture book publisher only open to submissions during certain times of year.

They hope to empower children by telling meaningful stories aimed at 4-11 year olds. The work they publish is realistic fiction which they describe as “a genre made up of stories that could happen in our world and society.”

That means they only consider work where characters are human beings living beings that are living in places that could be real, or are in fact real. Magic does not exist in real fiction. You can see work they’ve previously published here.

They consider manuscripts up to 1,000 words in length.

They only accept emailed submissions. They have specific guidelines that you should read in full here. Their most recent submission period ended January 31^{st 2024}. You can subscribe at their website to be notified when they reopened.

Emily Harstone is the author of many popular books, including The Authors Publish Guide to Manuscript Submissions, Submit, Publish, Repeat, and The 2021 Guide to Manuscript Publishers.

The following list provides you with excellent opportunities to start the year with a foot through the door. So stop your procrastination – please! – and get your application out – before deadlines arrive. Best of luck with your applications!

Also please note that Princeton University Press has a great fellow opportunity now entering it’s second year. Applicants must be a US citizen or permanent resident over the age of 18. There are two positions available, each paying $40,000 USD a year, plus benefits. To find out more, go here.

GrubStreet Emerging Writer Fellowship

The Emerging Writer Fellowship aims to develop new, exciting voices by providing three writers one year access to GrubStreet’s classes and Muse & the Marketplace conferences. The fellowship is for one year. The Fellows will attend a combination of seminars and multi-week courses of their choosing, bookended by attendance at both the 2022 and the 2023 Muse & the Marketplace conference, in order to enhance their understanding of craft and the publishing industry.

Deadline is February 28, 2022.

For details, go here.

Note: they also offer other scholarships to their various programs. Applicants from anywhere can apply for multiple scholarships made possible by the excellent literary citizenship of their donors. To apply, applicants must set up their profile and apply through individual programs which mostly are offered online and/or Zoom. For further reading, go here.

2022 Good Story Grant

The 2022 Good Story Grant aims to help two writers reach the next step in their creative journeys. It is open to writers at any stage working in any genre and category. One grant will go to a writer who identifies as BIPOC, with the aim of championing underrepresented voices. The award is $1,500, used however you’d like, as long as it has to do with writing and helps you tell your story.

Applicants must be able to receive and use funds in US dollars sent via PayPal, and be available to write a 1,000-word essay for the Good Story Blog or interview for the Good Story Podcast about their experience on achieving their deliverable.

Deadline is January 31, 2022.

For details, go here.

The Joel Gay Creative Fellowship

In memorial of Joel Gay, this fellowship will support three emerging writers for one year as they develop and publish a newsletter on the Substack platform. Fellows, who will contract with Substack, will receive a $25,000.00 stipend, paid monthly from the initial publication of their newsletter, as well as up to $15,000.00 in services from Substack, including editorial support, design assistance in developing a logo for their newsletter, access to Getty Images, Substack Defender and other business support services. In addition, there will be a mentorship on craft and the business of writing for the fellowship duration.

It is open to writers from all backgrounds that do not have a book published or under any contract, with special consideration for those from underrepresented communities. To apply, submit a brief proposal detailing the newsletter you would like to create and why as well as brief summaries of five potential newsletter issues (essays).

Deadline is February 10, 2022.

For details, go here.

Tejumola Olaniyan Creative Writers-In-Residence Fellowship

The Africa Institute, as part of its African Languages and Translation Program, announces the Tejumola Olaniyan Creative Writers-in-Residence Fellowship in honor of the late Nigerian Professor Tejumola Olaniyan and his remarkable intellectual legacy in the field of African literature and critical theory.

The residency welcomes applications from creative writers including novelists, short story writers, playwrights, poets and scriptwriters related to Africa and the African diaspora for a grant of 45,000 AED in total. The proposed project can be in Arabic or English (other languages will be considered). The recipients will be hosted in Sharjah, UAE for a period of three months to complete their work.

Recipients will have the opportunity to publish their texts through The Africa Institute’s publications program. Projects relating to theatre and film scripts can also be published as texts or receive support in facilitating productions. The project could be new or a work-in-progress and should be feasible for completion within the timeframe of the residency.

All applications will be reviewed by The Africa Institute through a committee of peers of well-known writers. Three recipients will be chosen based on the quality of their proposal, and the demonstrated feasibility of completion within the timeframe of the residency.

The first term for 2022 will begin in September and run until November.

Deadline for applications is February 28, 2022.

For details, go here.

Gotham Writers’ Professional Development Scholarship 2022 

The Gotham Professional Development Scholarship is open to people of color of 18 years and above, who have an interest in improving their writing skills in the professional world, whatever the profession.

Three scholarships will be offered every year. Each scholarship includes: One 6-week Business Writing class, intensives for Grammar 1 and 2, and one 6-hour Business Writing or Grammar Mentorship.

Application is open to all people of color, age 18 and up. At least one spot will be rewarded to a Black applicant.

There is no time limit on when all the courses must be completed.

Deadline is February 15, 2022.

For details, go here.

JIAS Writers’ Workshop

The Johannesburg Institute for Advanced Study (JIAS) invites applications from emerging African creative writers for its Inaugural Writers’ Workshop.

From June 2 to June 29, 2022, JIAS will host a group of promising African creative writers. The workshop will be a writing-intensive, four-week program for early-career writers who have a current work in progress that they would like to complete or polish. Each writer will focus on her/his/their individual work as well as read others’ work and provide feedback. Writers will greatly benefit from the supportive structure that a writers’ workshop creates.

The JIAS Writers’ Workshop is open to African writers who work in Fiction (long and short form), Creative Non-Fiction, Playwriting, Screenwriting and Poetry. Workshop participants will be mentored by accomplished, critically-acclaimed and award-winning writers. This is a great opportunity for novice writers to learn from established writers who are masters of their craft. Participants in the workshop will also be able to take advantage of and benefit from the vitality and diversity that a dynamic city like Johannesburg has to offer.

There is no application fee and participation in the workshop is free.

Each participant will receive: Accommodation at JIAS’ private residence, daily meals, an intensive and immersive creative experience, and mentorship from an established and accomplished writer

Deadline is February 1, 2022.

For details, go here.

Bio: Hassan Muhammad, pennamed NmaHassan Muhammad, resides in Minna, Nigeria. He has published poetry, short stories, articles, and two children’s books. On November 3, 2021, he lost his three-year-old son Abdullateef Hamood Hassan in a tragic fire accident. To honor his son’s memory, he is compiling a book of Haiku poems.

There are so many false assumptions, clichés, and myths out there surrounding writers. Some of these myths contain some level of truth, others are nothing but rumors and a singular memorable example.

Here are 14 myths surrounding writers. Don’t let them scare you. They’re not real. They won’t bite. I promise.

1. The Muse
Artists of all kinds like to talk about the muse, but that does not mean that they agree the muse exists. Even if there really is such a thing as a “muse” the general agreement among serious authors is that the muse is insufficient. Serious, regular writing is what makes an author successful. As Pablo Picasso puts it, “Inspiration exists, but it has to find you working.”

2. Poets Kill Themselves
Writers in general and poets in particular have a reputation for committing suicide. There have been some historically memorable suicides by poets and writers. I knew how Sylvia Plath died before I read anything she wrote. Ultimately the percentage of poets who have committed suicide is relatively low. Particularly in contemporary circles.

3. The Day Job is the Enemy
Writers hate their day jobs! Or even if they don’t hate that day job, it prevents them from being a real writer. That is the myth anyway. The reality is much more complicated.

Wallace Stevens won the Pulitzer Prize for poetry and turned down a faculty position at Harvard in order to keep his job as the vice-president of an insurance agency. William Carlos Williams was a doctor and a poet. The list could go on and on. Of course this is not true of all authors. Many writers happily quit their jobs once their writing career takes off. However even some authors, like Michael Chrichton and John Grisham, who quit their day jobs once they became successful, give a lot of credit to those jobs for their success as a writer.

4. All Writers are Alcoholics
There have certainly been and currently are a lot of writers that are alcoholics. However, there are alcoholics in all walks of life. Are a disproportionate number of writers alcoholics? Maybe. I know a few, but I also know a lot of writers who drink responsibly, or don’t drink at all. There are no hard statistics on this, but it is pretty easy to declare that not all writers are alcoholics.

5. Writers Are Eccentric
Writers are not supposed to be normal. They can say strange things and get away with it. They have weird habits and obsessions. In fact when I rented a room in a house during grad school, the landlords were reluctant to have a writer as a tenant initially, because they thought a writer would be less reliable than students in other graduate programs. I quickly convinced them otherwise and that is when they told me of their initial concern.

My mother loves the writer Anne Lamott. We went to a reading where she was all over the map and did a number of strange things. My mother justified Anne Lamott’s behavior by saying “she is a writer.”

I pointed out that so was I, and so were a number of other people we knew, and that we had been to many other author readings that were much less strange. My mother then declared that was because “Anne was a real writer”. Now I respect Lamott’s work, but in my experience eccentricity is rare and eccentricity levels rarely correlate with one’s ability to craft a good work of art.

6. Real Writers Are Independently Wealthy
If writing doesn’t make you wealthy (and largely it doesn’t, Nicholas Sparks aside), how can one afford to be a writer? How can one afford to have all that time to write a book? The natural conclusion some people jump to is that your money is coming from elsewhere. Where that elsewhere is, a spouse with a full time job, an inheritance, a mysterious sponsor, etc. . . is a source of curiosity but it is often left unexplored. This myth interacts a lot with the myth that the day job is the enemy.

While writers that are independently wealthy may be envied, they are also largely assumed to have enough time to be “writing properly”. Of course some writers are independently wealthy and historically this was more commonly the case, but that is rarely true now. Most writer’s make their living with a day job of some sort, be that a teaching position at a prestigious university or a job in a completely unrelated field, such as investment banking.

7. The Writer as Hermit
I blame J.D. Salinger for the prevalence of this myth, although Emily Dickinson is also a serious contributor to its longevity. A lot of people believe that writers live isolated lives without friends or much company, because of J.D. Salinger. This is not true of course. The vast majority of authors live very social normal lives. Writers are often friends with each other, many have families, and are actively involved in larger communities.

8. The Daily Habit
Writers are expected to write every day and some do. Stephen King claims to write every day in his book On Writing. Other authors take time off. Some write in spurts and writing every day does not benefit them. Ultimately it depends on the writer. What works for some does not work for others.

However there is some truth to this myth. In order to be a successful author who regularly produces new work, one has to write most days, but that schedule is flexible like most jobs and takes into account weekends and vacation time.

9. The Grammar Nazi
A lot of individuals seem to believe that unless your grammar is perfect you can’t be a real writer. A professional rarely makes mistakes. Some people assume that good writers are grammar Nazis. They conflate the two.

I have never known a writer that did not make mistakes, even if they were an excellent editor. Mistakes happen. The occasional error is inevitable, to pretend otherwise, or to judge writers when they make occasional mistakes, ignores the reality of the situation. Some really great writers have learning disabilities or struggle with spelling. That does not effect their ability to construct a sentence, a plot, or a wonderful book.

10. It Is Only a Hobby
Most people assume that writing is a hobby. Something people do to relax. Not that different from knitting. All serious writers know that this is not true. Writing is something that takes time, commitment, effort, and can even be unpleasant.

11. Writers Think They are Good
Non-writers tend to assume that most writers thing they are good at what they do, but even professional writers have a lot of doubt. “The worst enemy to creativity is self-doubt,” Sylvia Plath once said that and with good reason.

Doubt is a natural part of most people’s writing process. Often as a writer I will love a piece when I first write it, then I will later grow weary of it, unsure if it is any good or not. Sometimes long after it has been published, I will re-read the piece and wonder why I even wrote it in the first place.

12. Anyone Can Be a Writer
Everyone has a story in them, they just have to get it out. That is one of the most prevalent myths.  Anyone could be a writer if they had the time. This is not true. It is one of the most enduring myths and yet it is not based on reality. Writing is not just about telling a story, but telling it well. It takes time to learn how to write. Many writers start seriously writing as children. It takes effort and sacrifice to be a writer. However many non-writers, people who have composed the occasional poem or short story, or not even that, don’t understand the effort that it requires to go from someone who is able to write to someone who is a writer.

13. You Don’t Have to Write To Be A Writer

There’s a reason so many respected and established writers, have routines to keep writing. Words don’t ever place themselves on a page, and walk off to the printer to get published, it takes time and effort.

However many non-writers don’t understand this. When I was in university it was hard to convince my friends that I needed to stay home that night and write, instead of going out. Why couldn’t I just write another time? It is not like writing has to be scheduled out like a doctors appointment. If one always caves to social pressure, there is no time.

The other side of this myth is that I have met a lot of people who consider themselves writers, who have never written anything more than a short story or a book outline, but they consider themselves to be writers because they have a novel idea or outline. However, they have never really spent time writing, and their novel in progress has been at the same early stage for decades.

14. Writers Are Permanently Depressed
Writers can’t be happy. When you see them depicted in TV shows or movies, they do not live happy fulfilled lives. They seem to all be plagued by depression. If you read a lot of authors’ biographies you will know that is true of some authors, Frank O’Hara and John Cheever, for example. However, it is not true of all authors. Many authors live happy and full lives.