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Fahmidan was founded in 2020, and since then they’ve published four online editions each year. Each issue features writing from around 20 contributors.

Fahmidan is open to submissions year-round. Here’s their reading schedule: From September 15 through December 15 they read for their spring issue, published March 10. From December 16 through March 15 they read for their summer issue, published June 10. From March 16 through June 15 they read for their autumn issue, published September 10. And from June 16 through September 14 they read for their Winter issue, published December 10.

Poets may submit up to three poems, three pages or fewer each. Authors of prose (fiction or nonfiction) may submit one piece, 1,000 to 2,500 words, or up to two flashes, 800 words or fewer each. Authors may send one submission per category at a time, and should wait for a response before submitting again.

Submitting authors can expect a response within 25 days. Authors published in Fahmidan receive $25 per piece.

Fahmidan also publishes print and digital chapbooks by POC and women-identifying authors. They open for chapbook submissions twice a year, in February for digital publication, and in November for print publication. Poets may submit chapbooks of 30 pages or fewer, and authors of fiction (short fiction or flash) may submit up to 7,500 words. Authors receive 30% royalties for sales.

Fahmidan accepts submissions online using Submittable, not via email or by post. They accept simultaneous submissions but ask that authors withdraw writing published elsewhere. They do not accept previously published work.

Fahmidan only accepts submissions that follow the guidelines they’ve posted online. Please read these guidelines in full before submitting. Also, Fahmidan only accepts writing from authors over 18.

If you would like to learn more or submit to Fahmidan, please visit their website here.

Bio: Ella Peary is the pen name for an author, editor, creative writing mentor, and submission consultant. Over the past five years, she’s written hundreds of articles for Authors Publish, and she’s also served as a copywriter and copy editor for a wide range of organizations and individuals. She is the author of The Quick Start Guide to Flash Fiction. She occasionally teaches a course on flash fiction. You can contact her at ellapeary@gmail.com.

This is part of our ongoing series on how authors published their first book. You can read our other stories in this series, here, here, here, here, here and here.

What a unique relief to be writing about my short story collection Discount Ceremony from this perspective. After many years of wondering if it would ever find a home, the collection is about to be published by Game Over Books, a small Boston-based press founded fairly recently in 2017.

Long before I was submitting my manuscript to small presses, I was in college and realizing my particular affection for both reading and writing short stories, finding myself drawn to their more open-ended nature and the alluringly distilled portraits of worlds and characters they can foster. I began submitting stories to literary magazines, continuing to do so through grad school, and gradually built up a track record of publication. But as I began to amass enough stories to put together a collection, I also came to learn that short story collections were an especially hard sell in the larger book publishing world. Not that finding things like an agent or publisher is remotely easy when working in any form, of course, but the knowledge of story collections’ limited appeal on the market made an already daunting prospect seem even more far-fetched. I did find a few agents over the years who seemed like they might be a good fit—were interested in magical realism (which most of my work falls into), and were open to story collections—but even so, my scattered queries were all met with rejection.

Over time I learned that there was a whole world of small presses out there that periodically accepted unsolicited manuscripts for consideration. I was used to the process of submitting short stories through email and Submittable, and suddenly found that I could do the same—albeit within a much smaller pool of venues—with my entire story collection.

Besides the difference of sending my whole manuscript vs. just a story or two as I did when querying agents, when submitting to small presses I felt a greater confidence that my collection would be read and engaged with in a way less influenced by its marketability. Because while small presses are still businesses, I don’t think many small press editors are primarily in it for the money (not to suggest that all literary agents are, only that marketability would naturally be more considered from an agent’s perspective). I imagined small presses like budget-deprived indie movies made with little expectation of profit—labors of love.

I didn’t know of many small presses, but was told about a couple from friends and found a few others through social media. Still, it was rare that I came upon a small press that seemed like a potential fit and was accepting submissions (most open submission windows, I found, were pretty brief—understandable of course given the combination of submission volume, the length of manuscript submissions, and the small staff of small presses). So the path presented its own difficulties.

Even with my heightened confidence of Discount Ceremony being considered on its own terms with small presses, I still held a certain self-protective defeatism about the matter. Though there are unifying threads of arrested development and adrift characters, the stories in Discount Ceremony range in tone from quirkily sunny and romantic to bleak and horror-adjacent. I used this lack of outward cohesion as more fuel for the emotionally protective idea that finding a publisher—even a small press publisher—would be a particularly long shot, and maybe it wasn’t worth trying too hard. As time went on without Discount Ceremony finding a home, I could simply tell myself that it wasn’t a comment on the collection’s quality, but rather a reflection of its idiosyncratic makeup.

So, over the course of around two years, I only submitted my collection to a handful of small presses. I’m sure that if I’d been more dedicated to researching presses, not as afraid of exhausting so many avenues that it would begin to feel like the book would never happen, I could have found more submission opportunities. But my approach enabled me to hold onto the vague notion that someday the collection would get picked up, without doing much to make that actually happen.

In the end, though, I wasn’t able to escape the sting of rejection from several small presses I had high hopes for (I’d grown mostly numb to single-story rejections from literary magazines, but found that these manuscript rejections cut a little deeper, which I suppose makes sense) before sending Discount Ceremony to Game Over Books.

I’d heard of Game Over thanks to my grad-school peer Ben Kessler, whose story collection, Of This World (out now and very good), they had picked up in the fall of 2021. The press seemed great and kind of punk-rock; fairly new and welcoming to all kinds of forms, dismissive of traditional publishing norms and enthusiastic about promoting work that may be considered too niche by that world. So when I heard through Ben that they were having a month-long open reading period, I submitted my manuscript right away.

A few months later, I got the acceptance email from Game Over—one of the best emails of my life!

Up to the point of accepting Ben’s Of This World, the press had published exclusively poetry, and Discount Ceremony will be only their second release of fiction. It’s a cool feeling of synchronicity, having my debut book be a somewhat new kind of publication for the press releasing it. It took a long time, and a few of the stories in the collection are getting up there in years (a couple in particular are from 2016!), but being here now, I feel deeply glad that things worked out the way they did.

If you belong to a limited demographic that is not listed here, this list might be helpful to you.

As long as a press/opportunity/journal is open to submissions we will continue to list it, so some of the content on the list is new, some overlaps from the previous month. This article is an ongoing collaborative effort by Emily Harstone and S. Kalekar. Please send us an email at support@authorspublish.com if you have any feedback or an opportunity/journal/publisher, to recommend.

Most months, we recommend organizations created by and for underrepresented writers. This month we are featuring The Diasporic Vietnamese Artists Network (DVAN), which uplifts and fosters diasporic Vietnamese and Southeast Asian literary voices. DVAN promotes nonfiction, fiction, and poetry to empower artists in the diaspora and inspire understanding and dialogue within our community, and with others. They run a number of different programs and you can learn about all about them here.

Literary Journals

New York Times: Modern Love
Modern Love is a nonfiction column in the New York Times. They want “honest personal essays about contemporary relationships. We seek true stories on finding love, losing love and trying to keep love alive. We welcome essays that explore subjects such as adoption, polyamory, technology, race and friendship — anything that could reasonably fit under the heading “Modern Love.” Ideally, essays should spring from some central dilemma you have faced. It is helpful, but not essential, for the situation to reflect what is happening in the world now.” Also, “Love may be universal, but individual experiences can differ immensely and be informed by factors including race, socio-economic status, gender, disability status, nationality, sexuality, age, religion and culture.” Send essays of 1,500-1,700 words. Modern Love has two submission periods, September through December, and March through June. Writers are paid. Send submissions to modernlove (at) nytimes.com. They especially welcome work from historically underrepresented writers, and from those outside the US. Details here.
(Also see their Tiny Love Stories column; these are also personal essays similar in theme to Modern Love, but much shorter, of 100 words.)

Open Minds Quarterly: Identity
Their website says, “We welcome writing and art from people with lived experience of what is variously called mental health challenges, mental illness, madness, and neurodiversity. We strive to promote these voices and perspectives by publishing work based on first-hand lived experience.” They are accepting submissions on the ‘Identity’ theme. Pay is CAD25; send prose of up to 3,000 words, or up to 4 poems. The deadline is 31 October 2023.

Rough Cut Press: Tender
They welcome written works up to 650 words from members of the LGBTQ+ community. They have monthly themed calls, and they are reading submissions on the ‘Tender’ theme. They pay $25. The deadline is 27 October 2023.

The T4T Project
A zine by and for trans writers and artists of color. They have rolling deadline and feature 20 creators per issue.

Obsidian
They focus on publishing literature and art by the African Diaspora. They close to submissions on October 15th.

The Kalahari Review
A weekly African literary magazine interested in material exploring modern Africa and Africans in unique and avant-garde ways. They publish their work on Medium.

diaCRITICS
Their mission is to represent Vietnamese and Southeast Asian diasporic literature, art, and culture. They do this in part by publishing “essays, fiction, poetry, art, comics, and hybrid pieces by writers and artists from Southeast Asia and those of the Southeast Asian diaspora”. Currently they have a special call for the theme ‘Southeast Asia Now’. This issue “aims to introduce English language readers to Southeast Asian writers working outside of English”. They are seeking English translations of Southeast Asian writing for this issue, including short fiction, poetry, essays, memoirs, interviews, profile and hybrid work about the issues and changes which characterize contemporary Southeast Asia. Payment for this themed issue is $75 per prose piece or interview and $50 per poem. Deadline is October 31.

Jelly Bucket
Published annually by Bluegrass Writers Studio, the MFA in Creative Writing Program at Eastern Kentucky University, Jelly Bucket accepts works of fiction, poetry, and creative nonfiction, as well as visual art. They are reading for a special issue with a section focused on neurodivirgent writers. The work chosen for this issue will be published in summer 2024. Currently submissions for this issue are free, and close on December 14th.

Foglifter
This is a journal for LGBTQ+ contributors. They want fiction, creative nonfiction, poetry, hybrid works, and drama. They are especially interested in cross-genre, intersectional, marginal, and transgressive work. They also have a Writers In Need fund to support sliding scale payments for their contributors who opt into the fund. The deadline is 1 November 2023. Details here.
(Foglifter also has a poetry chapbook contest for unpublished QTBIPOC+ poets in the San Francisco Bay Area – see their Submittable for details.)

Split Lip Magazine
Split Lip Magazine is a voice-driven literary journal with a pop culture twist. They publish online monthly and in print annually – flash fiction, short stories, memoir, poetry, and art, as well as interviews and reviews (for interviews and reviews, query first via webform – see guidelines). Send up to 3,000 words for fiction, up to 2,000 words for memoir, or one poem. Pay is $75 for web contributions, $5/page for print, $50 for interviews/reviews, and $25 for mini-reviews for their web issues. Fee-free submissions for all writers are open in November, although these sometimes close early if a cap is reached. Fee-free submissions for Black writers are open till mid-December. Details here and here.

FIYAH
They publish speculative fiction by Black writers of the African Diaspora. They also accept poetry, nonfiction, and art. They are reading submissions for an unthemed issue. Length guidelines are 1,000-15,000 words for fiction, and up to 1,000 words for poetry. Pay is $0.08/word for fiction, and $50/poem. The deadline is 31 October 2023.

Agbowo
They publish work by African origin writers only. They accept fiction, nonfiction, poetry, plays, interviews/reviews, and art/photography. Pay is $25-50 for poetry, $50 for one-act plays, $60 for fiction and nonfiction, and $35 for art. There is also an editor’s prize for poetry, for $100. Please send only one submission per reading period. The deadline is 30 October 2023.

NonBinary Review
They are open to submissions from everyone on two themes, ‘Lies for Children’ (deadline end-October, or until filled), and ‘Old Friends’ (deadline end-January, or until filled) – they pay $10-30 for poetry and prose. They also offer advice on submitting to journals in general through their Dear Horace Greeley column, and also accept submissions for Visual Verse. You can learn  more about all of these on their Submittable page. They also offer  free Feedback for Poets of Color, which is just what it sounds like. Writers of color may submit one poem, up to 50 lines, for consideration. Two poets per month will be accepted, and the Poetry Editors will work with those two poets to edit, improve, and strengthen their work. Acceptances are done on the first of the month, although submissions are open year-round.

Gay Flash Fiction
They welcome submissions on any theme and in any genre, as long as there is a is a Gay, Lesbian, Bisexual, Transgender, Queer, Intersex connection. Please only submit one story at a time. They are also open to poems under 500 words in length, as well as related artwork.

Transition
Born in Africa and bred in the diaspora, Transition  is a publication of the Hutchins Center at Harvard University, published three times annually. Transition publishes writing by and about Africa and the African diaspora, with an eye towards a global perspective. They accept submissions year-round on a rolling basis, and generally respond to submissions within four months. They are currently looking for submissions on the ‘Species’ theme, as well as unthemed work.

Lavender Review
An international, biannual e-zine published in June and December, they are open to submissions of poetry and art by, about, and for lesbians (including whatever LGBTQ might appeal to a lesbian readership). Submissions are open year round.

Ricepaper
This publication offers Asian Canadian context to ongoing arts and cultural issues, new perspectives on emerging and established Asian Canadian artists, and challenges mainstream media perspectives, little-known facts of interest, or critical stories that haven’t been told elsewhere. They are open to submissions from Asian writers around the globe as long as the editors can see a link between the content and some aspect of the Asian Canadian experience.

Raising Mothers
Raising Mothers celebrates and centers the experiences of  Black, Indigenous, and Brown parents. Some sections have reading periods; columns are open year-round.

Prismatica Magazine
An LGBTQ fantasy and science-fiction magazine that publishes short stories, poetry, reviews, interviews, and articles. They have very specific submission guidelines so please read those carefully.

Aurelia
Aurelia publishes the nonfiction work of marginalised genders: women, non-binary people and trans men. “Aurelia is a publication dedicated to personal thoughts, feelings and experiences. The things you think and the way you feel must be at the centre of your piece. All article submissions must be written in the first-person (“I think, I feel, I want…”)” Please send them pitches only, not unsolicited submissions. They pay £50. Details on how to pitch are here.

African Writer
They are open to all genres of literature from Africa and the African Diaspora. They do not allow simultaneous submissions.

Djed Press
This journal is based in Australia and they “prioritise submissions from Aboriginal and Torres Strait Islander peoples, on whose land we live and work and whose sovereignty has never been ceded.” They only accept submissions from “Australian and/or Australia-based Bla(c)k and other POC creators.” They really stress that work is likely to be edited and that you shouldn’t submit if you are not comfortable with that. Pay is AUD50-150 for text.

Afritondo
According to their website, “Afritondo is a media and publishing platform that aims to connect with and tell the stories of Africans and black minority populations across the globe.” They accept a wide range of work, including manuscript-length work.

Brittle Paper
Brittle Paper is an online literary magazine for readers of African Literature. They accept the following: “fiction, poetry, creative non-fiction, book reviews, essays, literary commentaries, fun listicles, and any writing with a literary bent”.

The Awakenings Review
The Awakenings Review is a project of The Awakenings Project. Established in cooperation with the University of Chicago Center for Psychiatric Rehabilitation in 2000, this print journal accepts poetry, fiction, and nonfiction from writers that have a personal connection to mental illness.

Torch Literary Arts
Torch Literary Arts is a nonprofit organization. They publish and promote creative writing by Black women only; you can read more about them here. They publish contemporary writing by experienced and emerging writers. “We are interested in work that challenges and disrupts preconceived notions of what Black women’s contemporary writing should be.” General submissions are accepted for Friday Features only, in which they publish fiction, hybrid works, poetry, and drama (including that accompanied by video or dramatic audio). Send up to 2,500 for fiction/hybrid works, up to 10 pages for drama, or up to 5 poems. Pay is $100. Submissions are accepted on an ongoing basis; you can submit here.

Tagg Magazine
Tagg is a US-based queer women’s publication. Their website has several themes they accept articles on, including personal essays, listicles, dating advice and fashion-related content. Articles are 350-1,000 words long and pay $75-175. They welcome pitches for article ideas. See the pitch guide for contributors here.

Bi Woman Quarterly
BWQ features the voices of women “with bi+ sexualities (i.e., bi, pan, fluid, and other non-binary sexualities)” and they see “woman” as a broad category and welcome contributions those who identify as trans, non-binary, cis, etc. They publish articles, creative writing, musings, and more.

KOENING ZINE
They publish art, fiction, poetry, and creative nonfiction submissions  primarily by Asians, but they are open to submissions from non-Asians. Their uniting theme is Asian Folklore. Submitters must be over 18.

Tangled Laces
A magazine focused on publishing writing by queer teen authors between the ages of 14-18.

POETRY SANGO-OTA
We only usually include journals currently open to submissions, but this list is always published on the third Thursday of a given month, and this journal is only open to submissions through the 1st to the 10th of each month, so we are listing it and encouraging you to set a calendar alert for when it reopens on the 1st of the next month. “We are interested in poems with a keen connection to a sense of place, nature, or otherworldly geographies.” They only publish African poets, and pay N2,500 per poem.

Afternoon Visitor
This is an online quarterly publication of poetry, hybrid text, visual poetry, and visual art, and they’re particularly interested in giving space to trans + queer writers in each issue.

Class Collective
Their website says, this is “An annual literary magazine that illuminates the class struggle(s) hidden in the shadows of our culture.” They accept submissions from all writers. They publish poetry, including visual poetry (up to 5 poems), fiction (up to 5,000 words), essays (pitches and submissions), and commentary — writing that has a class-based perspective on politics and culture. Pay is CAD10 for poetry and CAD20 for prose. Submissions are open on a rolling basis.

Reappropriate
Reappropriate is an Asian American and Pacific Islander (AAPI) race advocacy and feminism blog, focusing on race, gender, identity, Asian American history, and current events. Pay is $75-150 for work of 800-2,500 words.

The Gay & Lesbian Review: Three themes
The Gay & Lesbian Review is a bimonthly magazine of history, culture, and politics targeting an educated readership of LGBT people, and their allies that publishes themed features (2,000-4,000 words), reviews, interviews, and departments. They have announced three themed calls, and they also invite suggestions for future themes.

— The Age of Innocence: Gay life in the time of Wilde
–  The Great Transformation: From bar culture to hookup world
—  LGBT Science: New research on gender & sexual orientation
Writers can send proposals or complete pieces. They pay for features ($250) and full-length book reviews ($100).

The Acentos Review
The Acentos Review publishes writing, art, music and multigenre work by Latinx writers. They are open to submissions all year long. Details here.

the archipelago
They publish creative work that rewrites the map. Rewriting the map may involve oceans; islands; travel; movement; the decolonial/transcolonial; multilingualism; geography; cartography; displacement; relationships between unlikely places. They primarily publish short stories, poetry, creative nonfiction essays, fine art, photography, film. They publish work in  فارسی ,  اَلْعَرَبِيَّةُ , Somali, မြန်မာဘာသာ, bahasa Indonesia, español, français and English. While they prioritize writers of color they are open to submissions from all. They pay for accepted work and also have an ongoing mentorship program which you can learn about at the bottom of this page. To submit, visit the link and email pitches@thearchipelago.org.

Craft
This respected literary journal is open to creative work from authors of all backgrounds, but they offer free submissions + fast response times to BIPOC and other mis- and underrepresented writers, here. Craft pays $100 for flash and $200 for short fiction and creative nonfiction.

Aloka
They want work by non-native English speakers only – poetry, translations, fiction, and hybrid work. Send up to 5 poems, or up to 2 prose pieces, up to 2,500 words each.

The Lighthouse / Black Girl Projects
The tagline of The Lighthouse is, “Cultivating spaces of solidarity and safety for southern Black girls to shine through focused programming and research.” They have an extensive guide for pitching articles, including “We … are always looking for thought-provoking stories and other content from marginalized communities, Black girls, (in particular, but not exclusively) and gender non-conforming people. In addition to story and long-form story pitches and op-eds, they accept photography and original artwork for their online blogging platform, The Black Girl Times, and their monthly newsletter, The Black Girl Times Redux. Also, “Each month, we have an editorial theme board (kind of like the mood boards interior designers use) we post on our social media accounts (@luvblkgrls). The theme board is intended to be an inspiration and provocation of thoughts, ideas and feelings. Your response(s) can be literal or abstract and loose. And again, it might not have anything to do with anything we’ve seen.” Pay is $0.25-$1/word. Pay for art (graphic design, cartoons and photo essays) is $150-1,000.

Singapore Unbound: SUSPECT
Their website says, “SUSPECT grew out of SP Blog, the blog of the NYC-based literary non-profit Singapore Unbound.” They want poetry, literary fiction, essays, and any kind of writings that do not fall into these categories, written or translated into English by authors who identify as Asian. They also publish reviews of books by Asian authors and interviews with Asian writers and artists. Pay is $100, and there is no deadline listed. (They also have a call for short historical fiction featuring Lim Ching Seong; pay is $100, and the deadline for that is 1 December 2023.)

Breath & Shadow
Breath & Shadow only publishes work from people with disabilities. This is how they define disability: “We use the term “disability” broadly to encompass anyone with a physical, mental, emotional, cognitive, or sensory impairment that significantly affects one or more major life functions.” They accept writing on any topic in terms of poetry, fiction, creative nonfiction and drama. Pieces do not have to be about disability. The academic or article type nonfiction, including profiles, interviews, and opinion pieces, do have to relate to disability in some way. They pay $20 for poetry and $30 for prose.

Screen Door Review
They only publish work by individuals who are Southern and queer. You can learn more about how they define Southern here. They publish flash fiction and poetry.

Emergent Literary
An exciting new literary journal that accepts a wide range of submissions from Black and Brown authors.

LatinX Lit Audio Mag
LatinX Lit Mag is a safe space for literary work written by authors who identify as Latinx or Hispanic.

Presses/Anthologies

Beyond The Bounds Of Infinity Anthology 
This is a fiction anthology “of cosmic horror and weird tales written by marginalized peoples whose experiences and worldviews have influenced their interpretation of dread. The anthology hopes to bring these diverse perspectives to the forefront of the horror community and, of course, make Lovecraft roll over in his grave!” They want stories from Persons of Color, Persons of Native American Heritage, Persons identifying as LGBTQIA+, Persons with disabilities, Neurodivergent persons, Women, and Persons adhering to historically marginalized or persecuted religions. Pay is $0.08/word for stories of 2,000-4,000 words. The deadline is 15 October 2023.

Eastover Anthology of Rural Stories: Writers of Color
Their website says, “EastOver Press is accepting previously published short stories for a forthcoming anthology. The stories should have been published in 2021 or 2022. The anthology will focus on BIPOC writers who live in or hail from rural or semi-rural locales (in the United States) and whose short stories feature characters living and/or working in rural or semi-rural spaces. In addition, we’ll also accept work from BIPOC writers who’ve spent a significant amount of time in rural or semi-rural locales and whose work might reflect those spaces.” They want stories up to 7,500 words. Pay is $100-300. The deadline is 15 December 2023.
(Eastover Press also publishes the Cutleaf journal. The journal is open for nonfiction submissions from all writers, and pays $100-400 for works of 1,500-6,000 words. The deadline is end-October for this call. Details here.)

We’re Here: The Best Queer Speculative Fiction
Neon Hemlock Press publishes queer literature. They’re open for reprints of queer speculative fiction published in 2023, for ‘We’re Here: The Best Queer Speculative Fiction’; the deadline is 31 December 2023, details here and here.
(They’ll also open for speculative fiction novella submissions from all writers during 15-30 October 2023. Details here.)

Death in the Mouth Anthology
This is a “horror anthology series showcasing BIPOC and other ethnically marginalized writers and artists from around the world! It will feature twenty prose stories spanning from the terrifying mythic past to the unnerving far future, real and fictive worlds, and explore unique and unsettling manifestations of horror.” The are accepting fiction submissions, and art portfolios. They want work from “Authors who identify as BIPOC or, outside of US-American context, anyone who is from a marginalized ethnicity (eg. Roma, Sámi, Nenets would also fall under this umbrella etc)”. Pay is $0.08/word for stories of 1,000-6,000 words. The deadline is 30 November 2023. Details here and here.

Neon Hemlock Press: Embodied Exegesis – Transfeminine Cyberpunk Futures
Neon Hemlock Press publishes queer writing and they are open now for a transfeminine cyberpunk anthology. “Submissions are open to transfem authors, including trans women, transfems, nonbinary trans women, etc. We’re not the gender cops, and you don’t need to justify or explain your identity. If you think you’d fit in an anthology of transfem authors, you belong here.” They want cyberpunk and posthuman short stories. They have detailed guidelines, please read them carefully. Pay is $0.08/word for stories up to 6,000 words. The deadline is 15 October 2023. Details here (scroll down), here, and here.

Amplitudes: Stories of Queer and Trans Futurity
This is an anthology of queer short speculative fiction. “During a time of rising threat against queer and trans people’s flourishing, this anthology project aims to imagine other, better worlds as an act of literary resistance. …these stories explore what might happen if the oppressive status quo of the here and now is rejected—instead asking, but what if things were different? Whether speculating on new technologies and cultural shifts; imagining community politics through utopias and dystopias; exploring the materiality of how queer and trans people navigate an ever-changing world as well as their own relationships; or something else entirely: the stories Amplitudes seeks will offer engaged, imaginative perspectives on “queer futurity.”” They are open to any and all forms of speculative fiction, including cross-genre and/or literary works. They also want translations (query for translations or submit the full piece – see guidelines). Pay is $0.08/word + royalties for stories of 1,000-7,500 words. The deadline is 15 October 2023

Phoenix
Phoenix is a new speculative imprint launched by Nigerian publisher Ouida Books in collaboration with Nnedi Okorafor and Lọlá Shónẹ́yìn. Phoenix is dedicated to publishing African speculative fiction and fantasy (Africanfuturism and Africanjujuism). You can learn more about it here.

The Black Lawrence Immigrant Writing Series
This opportunity, from Black Lawrence Press, is for immigrants living in the US – for manuscripts of fiction, nonfiction, poetry, and hybrid writing. “Poets and authors, at any stage of their careers, who identify as immigrants are welcome to submit a book manuscript of poetry or prose or a hybrid text for consideration. Submissions are accepted year-round. However, selections are made in June and November for a total of two books per year. In addition to publication, marketing, and a standard royalties contract from Black Lawrence Press, authors chosen for the Black Lawrence Immigrant Writing Series will receive a travel stipend of $500, which can be used for book tours or in any manner chosen by the authors.”

North Dakota State University Press: Contemporary Voices of Indigenous Peoples Series
The goal of this series to feature the authentic stories, poetry, and scholarly works of Native Americans, First Nations, Maori, Aborigines, Indians, and more to give voice to contemporary Indigenous peoples. NDSU Press considers book-length manuscripts of fiction, nonfiction, and poetry for publication in this series.

Random House Canada
The Canadian arm of Random House changed their submission policy have opened their policy exclusively to LGBTQIA2S+ and BIPOC writers, as well as those from other traditionally underrepresented communities. They are particularly looking for “High quality commercial fiction in the following genres: literary, romance, speculative fiction, historical fiction, and mystery. Please note that we do not currently accept screenplays, stage plays, young adult fiction, children’s fiction, or picture book queries. All non-fiction submissions must be submitted via a literary agent.” They are open to submissions internationally, this is not limited to Canadians.

Somos en escrito Literary Foundation Press
They publish a literary magazine as well as books, they are “dedicated to publishing raza authors to express the narratives and needs of our communities, which typically get overlooked by the mainstream presses. We intend to be the institution nobody else will build for us.”

Painted Hearts Publishing
They publish LGBTQ+ romance. Scroll to the bottom of the guidelines page to see their current submission calls, including a holiday/winter-themed LGBTQ+ romance of 15,000-20,000 words – the deadline for that call is 25^th October 2023, and they pay $75.

Tundra Books, Puffin Canada, Penguin Teen Canada
These children and teen focused Canadian imprints are open to direct submissions by underrepresented authors and illustrators only. Authors need not be Canadian.

Arsenal Pulp Press
A Canadian independent press that publishes a wide variety of work,  prioritizes work by LGBTQ+ and BIPOC authors. We have reviewed them here.

Blind Eye Books
Blind Eye Books publishes science fiction, fantasy, mystery, and romance novels featuring LGBTQ protagonists. They are a print publisher and their book covers are beautifully designed and really stand out. The books they have published have won and been nominated for a number of awards, including the Lambda. We have reviewed them here.

Peepal Tree Press
The world’s leading publisher of Caribbean and Black British writing publishes around 15 titles a year. They try to respond to all submissions within 20 weeks.

Lily
A small poetry press that publishes work of varying length. Submitting shorter work is free for everyone, but submitting poetry manuscripts is free only for poets who identify as Black. They are always open to these submissions.

Sourcebooks
We’ve reviewed Sourcebooks here, and their adult nonfiction imprint and their romance and horror imprints are always open to all submissions, but they also deserve to be on this list because their fiction imprint, their mystery imprint, their young adult imprint, and three of their children’s book imprints, all say “Our submissions are currently CLOSED to unagented projects, with the exception of works that directly promote diversity, equality and inclusion. For more information please email InclusiveFiction@Sourcebooks.com.” So if you have work that matches that description in those genres, please reach out to them.

Forever
The romance imprint of Hachette Book Group and Grand Central Publishing is open to direct submissions from BIPOC-identifying authors.

Angry Robot
A great science fiction publisher that only accepts direct submissions from Black authors.

Scholastic Canada
They are open to direct submissions from Canadian authors or focusing on Canadian content, who are from underrepresented communities, including Black writers, Indigenous writers, writers of colour, writers with disabilities, LGBTQIA2S+ writers and writers who identify with other marginalized groups.

Heartdrum
Heartdrum is an imprint of HarperCollins Children’s Books, which is edited by Cynthia Leitich Smith, and is in partnership with We Need Diverse Books. Native and First Nations writers and writer-illustrators are welcome to query her directly via a form on her website. Native and First Nations illustrators are also invited to reach out.

Opportunities/Support/Contests

Neal Peirce Foundation Journalism Travel Grants
The grants enable journalists to travel to cities within the U.S. to produce one or more stories for publication. These grants are for freelance and fully employed journalists to cover under-told stories about ways to make cities and their metro regions work better for all their people. “Reporters, writers, editors, and photographers working in print, online, radio, television and multimedia are eligible for travel grant awards if they have had stories published or aired in the previous 3 years. We especially welcome applicants early in their journalism careers or from backgrounds underrepresented in today’s news media.” They will issue up to 7 grants of up to $1,500 each. The deadline is 16 October 2023. Details here and here.

The African Poetry Book Fund Awards
The African Poetry Book Fund (APBF) runs poetry awards, two of which are open for submissions now; the deadline for one is in November and for the other, in December. 
— Evaristo Prize for African Poetry: The Evaristo Prize for African Poetry was formerly called the Brunel International African Poetry Prize. It is for poets born in Africa, or who are nationals of an African country, or whose parents are African, and who have not yet had a full-length poetry book published (self-published poetry books, chapbooks, and pamphlets are exempt). These poems, though, may have already been published. Writers need to submit 10 poems exactly, of up to 40 lines each. Only poems written in English can be considered, but they accept poems in translation too. In the case that the winning work is translated, a percentage of the prize money would be awarded to the translator. Their Submittable is open for more than one prize, please be sure to submit in the correct category. The prize is £1,500, and the deadline is 1 November 2023.
Details here (guidelines) and here (Submittable).
— Sillerman First Book Prize for African Poetry: It is for poets born in Africa, or who are nationals of an African country, or whose parents are African, and who have not yet had a full-length poetry book published (this includes self-published books if they were sold online, in stores, or at readings. Writers who have edited and published an anthology or a similar collection of other writers’ work remain eligible). Manuscripts have to be at least 50 pages long. Only poems written in English can be considered, but they accept poems in translation too. In the case that the winning work is translated, a percentage of the prize money would be awarded to the translator. Apart from a cash prize, the winner also gets publication from the University of Nebraska Press. Their Submittable is open for more than one prize, please be sure to submit in the correct category. The prize is $1,000, and the deadline is 1 December 2023. Details here (guidelines) and here (Submittable).

Cave Canem: Derricotte/Eady Prize
Their website says, “Since 2015, Cave Canem has collaborated with O, Miami to spotlight exceptional chapbook-length manuscripts by Black poets. The winner of the prize receives a $1000 award, publication of their manuscript by O, Miami Books, 10 copies of the chapbook, a residency in The Writer’s Room at The Betsy Hotel in Miami, and a featured reading at the O, Miami Poetry Festival in April.” The deadline is 5 November 2023. Details here and here.
(They are also open for the Cave Canem Fellowship for Black poets, deadline 10^th November 2023 – see the Submittable page for details. They have a Cave Canem Fellows and Faculty Fund for their Fellows and faculty, as well – see this page for details.)

Dragonblade Publishing: Historical Romance Contest
This is a contest for a historical romance manuscript, and they want submissions from all writers, including those writing LGBTQ+ romance. The first prize is $1,000 and publishing, and the deadline is 1 February 2024.

The Haven Foundation Grants
These grants, for legal US residents, were instituted by Stephen King after he suffered a debilitating accident. They give financial assistance to help freelance artists and writers who have suffered disabilities or a career-threatening illness, accident, natural disaster or personal catastrophe. Also see their FAQ. Applications have to be mailed. The deadline is 20 October 2023 (must be received by this date).

The Commonwealth Short Story Prize
This is a contest for writers from the Commonwealth (see the list of eligible countries here) – send a piece of short fiction, in any genre, of 2,000-5,000 words. They take entries in several languages apart from English. The top prize is £5,000, regional prizes are £2,500, and the  deadline is 1 November 2023. Details here.

Queer Adventurers 2023 essay contest: Firsts
They are looking for 1,000 to 1,500 word personal essays on the theme of Firsts. They further define the theme by saying “Specifically, we’re looking to hear a true first-person story of the first time you tried an outdoor activity and how it went. Trying something new outdoors builds skills and breaks us out of routine. It can lead to new friendships, confidence, and growth. Stories of the good, the bad and the never-doing-that-again kind are all welcome! All submissions must connect to the chosen theme and center your LGBTQIA identity. This means more than a passing mention of a sexuality or gender identity. We want to see LGBTQIA identities woven into the stories.” The winner will be awarded $150 and a runner up will receive $50. They close to submissions on 31st October 2023.

Society of Authors: Dursilla Harvey Access Fund
These are small grants for UK-based/British writers, giving authors support for travel, subsistence, childcare or access needs for events, residencies, and retreats. “Usual grants will be £150 or less, but fair consideration will be given to all proposals.” Applications are accepted on a rolling basis.
(Society of Authors also has awards for works in progress as well as contingency funds – all their grants are here.)

The Writing Barn Scholarship
The Writing Barn has a small but budding scholarship program available for our programming. Scholarships are awarded on the following criteria: seriousness of purpose, talent and financial need. They also offer specific Diversity, Inclusion, and Equity scholarships for BIPOC, LGBTQIA+, Neurodiverse writers, and writers with disabilities.

Forward Funds: Creative Capital x Skoll Foundation Creator Fund
The crowdsourcing platform for creatives, Kickstarter, now has Forward Funds. Their website says, “Forward Funders are foundations, nonprofits, and organizations that back Kickstarter campaigns related to their visions and missions around a more creative and equitable world. Each Forward Funder makes a public commitment and then backs projects just like anyone else—through single pledges that bring the works one step closer to reality.” One such fund is the $500,000 Creative Capital x Skoll Foundation Fund. This backs projects by Asian, Black, Indigenous, and Latinx creators in the US on the crowdfunding platform – “Effective immediately, funds will be awarded on an ongoing basis to creators with active projects across all of Kickstarter’s categories: Arts, Comics & Illustration, Design & Tech, Film, Food & Craft, Games, Music, and Publishing.” Projects launched on Kickstarter following their rules are eligible, and creators can nominate themselves for specific Forward Funds via a form. This is for both, creators and organizations.

Emily Harstone is the author of many popular books, including The Authors Publish Guide to Manuscript Submissions, Submit, Publish, Repeat, and The 2023 Guide to Manuscript Publishers. She regularly teaches three acclaimed courses on writing and publishing at The Writer’s Workshop at Authors Publish. You can follow her on Facebook here.